Conservation and Restoration of Cultural Heritage / Kültür Varlıklarını Koruma ve Onarım
Permanent URI for this collectionhttps://hdl.handle.net/11147/23
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Article İzmir’de Bir Osmanlı Dönemi Konağının Tavan ve Duvar Resimlerinin Yapım Tekniği ve Malzeme Özellikleri(Gazi Üniversitesi, 2021) Şerifaki, Kerem; İpekoğlu, BaşakKültür varlıklarımızın en hassas bileşenlerinden olan duvar resimlerinin korunmasında, resimlerin özgün malzeme özellikleri ve yapım tekniğinin belirlenmesi önemli aşamalardan biridir. Bu çalışma kapsamında İzmir Bayraklı’da yer alan Yahya Hayati Paşa Konağı’nın duvar ve tavan resimlerinin yapım tekniği ve malzeme özellikleri 2010 yılında yapıya ağır hasar veren yangın öncesinde alınan örnekler üzerinde gerçekleştirilen analizler ile belirlenmiştir. Duvar resimlerinin sıva ve astar tabakalarının, boyayı oluşturan bağlayıcı malzeme ile pigmentlerin mikro-yapısal özellikleri, mineralojik ve kimyasal kompozisyonları; optik mikroskop, kızılötesi spektroskopisi, X ışınları kırınım cihazı (XRD) ve EDS üniteli taramalı elektron mikroskobu kullanılarak tespit edilmiştir. Çalışma, resimlerin kireç sıva üzerinde yer alan organik bağlayıcı ve çeşitli beyaz pigmentlerden oluşan hazırlık tabakaları üzerinde yağlı boya tekniği ile uygulandığını göstermiştir. Resimlerin yapımında bitkisel yağın rengini beyazlatmak amacıyla çinko oksit (ZnO), kurşun beyazı $(PbCO_3)$ ve baryum beyazı $(BaSO_4)$ kullanıldığı belirlenmiştir. Resimlerin yapımında kırmızı için vermiyon (HgS), mavi için ultramarin $(N_{a6-10}Al_6Si_6O_{24}S_{2-4})$, yeşil için zümrüt yeşili $(3Cu(AsO_2)_2.Cu(CH_3COO)_2)$ ve kahverengi için kırmızı okra $(Fe2O_3$, kil mineralleri) kullanıldığı tespit edilmiştir. Bu ana pigmentler dışında, dolgu malzemesi olarak kullanılan baryum beyazı (BaSO4) ve kurşun kırmızısı pigmentinin $(Pb_3O_4)$bozulma ürünlerinden biri olan anglezit (PbSO4) tespit edilmiştir. Çalışma, yanarak yok olmuş bir kültür varlığının süslemelerinin yapım tekniği ve malzeme özelliklerinin belgelenmesi ile yapının onarımı aşamasına veri oluşturacaktır.Article Citation - WoS: 19Citation - Scopus: 20Execution Technique and Pigment Characteristics of Byzantine Wall Paintings of Anaia Church in Western Anatolia(Elsevier Ltd., 2018) Demir, Serap; Şerifaki, Kerem; Böke, HasanIn this study, material characteristics of wall paintings executed in 11th Century Byzantine Church located in archaeological site of Anaia (Turkey) were investigated to provide historical information of the painting techniques. For this purpose, physical, chemical and mineralogical compositions of the paintings were determined by X-Ray Diffraction, Fourier Transform Infrared spectroscopy, Scanning Electron Microscopy coupled with Energy Dispersive spectroscopy and Thermo-Gravimetric Analysis. Analysis results indicated that the paintings were executed using lime-secco technique. In this technique, pigments were mixed with lime and applied on a smooth plaster layer. Pigments used were mainly iron oxides for red, yellow and purple paintings, aluminosilicates such as celadonite for green paintings and lazurite for dark blue paintings.Article Citation - WoS: 41Citation - Scopus: 42Characterization of Materials Used in the Execution of Historic Oil Paintings by Xrd, Sem-Eds, Tga and Libs Analysis(Elsevier Ltd., 2009) Şerifaki, Kerem; Böke, Hasan; Yalçın, Şerife; İpekoğlu, BaşakIn this study, material characteristics of historic oil paintings in a 19th century church in Ayvali{dotless}k/Turkey were investigated to propose the treatments to be used in their conservation and protection. For this purpose, physical, chemical and mineralogical compositions and the microstructure of the paintings were determined by X-ray Diffraction, Scanning Electron Microscope, Thermo Gravimetric Analyzer, Differential Scanning Calorimeter, Infrared Spectroscopy and Laser Induced Breakdown Spectroscopy. Analysis results showed that the paintings were composed of very thin binding and white priming layers on which the pigments were applied. Binding layers were composed of polymerized vegetable oil with Zinc Oxide. Priming layers were composed of anglesite mineral in polymerized vegetable oil. Pigments used in paintings were mainly green earth, red chrome and iron oxide.Article Observations on Characteristics of Suburban Historical Houses of Izmir(International Association for Housing Science, 2010) Turan, Mine; Şerifaki, Kerem; Dipburun, Esra; Hamamcıoğlu Turan, Mine; Şerifaki, KeremThe aim of this study is to present the changes in building characteristics resulting from the transformation of Izmir into a cosmopolitan city of wealthy traders in the second half of the 19th century. The study concentrates on palatial suburban houses. The paper concludes with the construal of the merging of the old and new architectural preferences as a sign of modernization. Copyright © 2010 IAHS.Article Citation - WoS: 49Citation - Scopus: 57Characteristics of Lime Produced From Limestone Containing Diatoms(Elsevier Ltd., 2008) Böke, Hasan; Çizer, Özlem; İpekoğlu, Başak; Uğurlu Sağın, Elif; Şerifaki, Kerem; Toprak, GülcanIn this study lime binder used in stone and brick masonry mortars of some historic Ottoman baths was examined to understand whether the binders were hydraulic or not. For this purpose the mineralogical and elemental compositions and the microstructure of lime binder were determined by XRD, SEM-EDS and TGA analyses. The results indicate that the lime used in the brick dome mortars of Ottoman baths was hydraulic. Taking into account the kiln and fuel conditions of the 15th century, the possibility of obtaining hydraulic lime at relatively low temperature was examined. For this purpose limestone containing diatoms was heated at a relatively low temperature (850 °C), then slaked and carbonated. After heating and slaking, calcium silicate giving hydraulicity to the lime was indicated by XRD and SEM-EDS analyses. These results show that the production of hydraulic lime at a relatively low calcination temperature (850 °C) was possible with 15th century kilns.