Conservation and Restoration of Cultural Heritage / Kültür Varlıklarını Koruma ve Onarım
Permanent URI for this collectionhttps://hdl.handle.net/11147/23
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Article Art and Construction Related Qualities of 14th‒15th Century Monuments in a Rural Landscape on the Western Coast of Türkiye(KeAi Communications Co., 2024) Hamamcıoğlu Turan, Mine; Aktaş, Engin; Toköz, Özge DenizThis study aims to contribute to the understanding of the evolution of art and construction in the early settlements established by Turkish communities on the far west Asian coast by focusing on two developed examples in Urla Peninsula. Conventional surveying and evaluation techniques of architectural restoration and civil engineering were utilized. Key findings include the understanding of the hierarchy of rural settlements in the studied landscape: old Çesme the most developed village of peninsula in the 16th century. It was positioned along a valley in distance to coast, but in control of harbor that played significant role in commerce between Europe and Asia. Its mosque and tomb, dated to late 14th – early 15th centuries, used to crown it. Cylindrical minaret tower of mosque, domed tomb tower on a cubical base and squinch in the transition zone of mosque are evidences for Central Asian roots. Usage of local lime stone, re-usage of andesite blocks, framing of the stone blocks with bricks, and pendentive in tomb refer to Roman-Byzantine constructions. The study presents the development of Turkish art and construction on the far west Asian coast in the 14th‒15th centuries. Findings will be a guide for related conservation management in similar contexts. © 2024 The Author(s)Article Citation - WoS: 19Citation - Scopus: 20Execution Technique and Pigment Characteristics of Byzantine Wall Paintings of Anaia Church in Western Anatolia(Elsevier Ltd., 2018) Demir, Serap; Şerifaki, Kerem; Böke, HasanIn this study, material characteristics of wall paintings executed in 11th Century Byzantine Church located in archaeological site of Anaia (Turkey) were investigated to provide historical information of the painting techniques. For this purpose, physical, chemical and mineralogical compositions of the paintings were determined by X-Ray Diffraction, Fourier Transform Infrared spectroscopy, Scanning Electron Microscopy coupled with Energy Dispersive spectroscopy and Thermo-Gravimetric Analysis. Analysis results indicated that the paintings were executed using lime-secco technique. In this technique, pigments were mixed with lime and applied on a smooth plaster layer. Pigments used were mainly iron oxides for red, yellow and purple paintings, aluminosilicates such as celadonite for green paintings and lazurite for dark blue paintings.