Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection
Permanent URI for this collectionhttps://hdl.handle.net/11147/7148
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Editorial The Editorial Preface: Contemporary Histories of Design and Transience(Univ Oviedo, 2023) Emgin, Bahar; Ata, Zeynep; Tunç Cox, Ayça; Kılınç, Kıvanç[No abstract available]Article The Queen’s Body: The Favourite by Yorgos Lanthimos(Intellect Ltd., 2022) İnan, Fatma Serra; Tunç Cox, AyçaThe palace as a building type is a very complex structure both socially and spatially. It accommodates a few hundreds or thousands of people within a strictly stratified social structure that is constantly manifested through the spatial boundaries or innumerable symbols embodied in the material culture.Article Citation - WoS: 2Citation - Scopus: 3Portrayal of Turkish-German Migratory Relations in Turkish Films of the 1980s: a Call for an Alternative Reading(Routledge, 2019) Tunç Cox, AyçaPopular imagination of an age-old and very common phenomenon - migration - depends on images and stories in circulation. Mediated images of migration, refugees and diasporas play an important role in ethnic and cultural identification processes. This article explores how Turkey has accounted for its own diasporic subjects through cinematic narratives. Focusing on two salient Turkish examples from the 1980s that contradict the dominant narrative tendencies in Turkish-German/German films of the time, this article aims to present a fresh outlook. It strives to explore how these films question stereotypes and problematize essentialist readings of Turkishness and nationhood via a descriptive-interpretive analysis.Article Citation - WoS: 7Citation - Scopus: 4Roma People of Turkey Re-Write Their Cinematographic Images(SAGE Publications Inc., 2020) Uştuk, Ozan; Tunç Cox, AyçaThe historical construction of the Roma image in Turkey, via both official and unofficial narratives, has constituted a derogatory repertoire. Their portrayal in the mainstream Turkish cinema and TV in particular has contributed to the predominant imaginary in circulation which essentially is based on common binaries and stereotypes. In order to challenge prevailing stereotypes about the Roma, we have conducted a transformative action research project with the Roma people of the Sira district in Izmir, Turkey, who volunteered to make their own films. This article provides an account of this community filmmaking project. Locating the Roma in the conceptual framework of subalternity, we ultimately investigate whether it is possible to talk about agency in regard to the Roma people of Turkey.