Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection
Permanent URI for this collectionhttps://hdl.handle.net/11147/7148
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Article Citation - WoS: 1Staging Nişantaşı: Cultural Conflicts and Ideological Representations of Urban Space in Turkish Tv Culture(Springer, 2025) Akpınar, İpek; Akpınar, İpek; Akpinar, Ipek; 02.02. Department of Architecture; 02. Faculty of Architecture; 01. Izmir Institute of TechnologyThis paper examines how urban spaces become sites of ideological contestation through their representation in popular media, focusing specifically on Ni & scedil;anta & scedil;& imath;, a historically significant neighborhood in Istanbul that embodies the class tensions within T & uuml;rkiye's modernization narrative. Drawing on cultural geography as a theoretical framework, the study analyzes how this distinctive urban space functions as both physical setting and symbolic element in post-2000 Turkish television dramas. Since the expansion of private broadcasting, these TV series have emerged as powerful agents in shaping public consciousness about space, class, and identity. Through semiotic analysis of selected programs, this research reveals how Ni & scedil;anta & scedil;& imath;'s portrayal constructs and reinforces social class distinctions in contemporary Turkish society. The findings demonstrate that urban geography serves as a reflective surface for cultural and social conflict, with television representations amplifying Ni & scedil;anta & scedil;& imath;'s multi-layered spatial identity formed through historical processes, societal dynamics, and personal narratives. By connecting these representations to broader patterns of class differentiation in T & uuml;rkiye, this study contributes to our understanding of how media portrayals of urban spaces simultaneously reflect and reinforce class distinction through collective social imaginaries.Article Geographies of Place-Affective Trans-Becoming: an Ethnography of Drag in Istanbul(Routledge Journals, Taylor & Francis Ltd, 2025) Ogut, Tuna; Akpınar, İpek; Kilickiran, Didem; Akpinar, Ipek; 02.02. Department of Architecture; 02. Faculty of Architecture; 01. Izmir Institute of TechnologyThis paper presents an ethnographic study of Dudaklar & imath;n Cengi, a drag and queer performing event series in Istanbul, where a community of predominantly trans and non-binary performers create a place of collectivity for self-expression and gender exploration. Drawing on trans and feminist geographical perspectives, we examine how the participants use drag as a way of creating shared imagery, exploring themselves in relation to gender, and producing places in the city through their performances beyond the stage. We conceptualise Dudaklar & imath;n Cengi as a place-as-becoming that emerges from the intensities of social ties, flows, narratives, and sensations. We also propose a geographical understanding of gendered embodiment to account for transness in new spatial ways that enable the interrogation of phenomena that do not immediately yield their relevancy to the category of gender. The data was collected in over three years of presence within the field through situated and reflexive participant observation, informal conversations, in-depth interviews, and the participants' written narratives. We analyse the data with iterative cycles of grounded theory completed with continuous collaborative theorisation with participants. Through this collaborative theorisation, a series of concepts emerge that explain the experiences of the participants: opening drag, collectivising the stage, socialising in drag, urban navigation of gender, and an unfolding sense of drag. Together, these concepts help explain a novel understanding of place-affective trans-becoming.
