Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection

Permanent URI for this collectionhttps://hdl.handle.net/11147/7148

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Author: search.filters.author.Erdoğdu Erkarslan, Özlem

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  • Article
    Citation - Scopus: 1
    A Cinematic Narration of Urban Segregation Through Migration in Turkey: an Analysis of the Film Block-C Directed by Zeki Demirkubuz
    (Intellect Ltd., 2025) Aydin, M.F.; Erdoğdu Erkarslan, Özlem; Erkarslan, Ö.; Erkarslan, Önder
    Metropolitan life is always one of the major concerns of modernity as well as the set for the cinematic art. The critical gaze of cinema throws a light on how cities provide various social and architectural contexts for diversified groups as an indispensable part of the scenario. This study delves into the portrayal of metropolitan life in Zeki Demirkubuz’s 1994 film C Blok (Block-C) through the intertwined concepts of spatial alienation, urban segregation and urban migration. Situated within the context of 1990s Istanbul, the film serves as a microcosm for exploring the social and architectural landscape of Turkish modernity. It scrutinizes the interactions between diverse social classes residing in a suburban apartment complex, offering critical insights into how western-style modernization has shaped urban spaces and individual experiences. In this context, the theoretical foundation of this research encompasses the advent of western-style modernization in Turkey, its permeation into societal realms, and the concept of spatial alienation at the social stratum. Moreover, adopting a critical thinking perspective, this study probes the notions of home and house, elucidating their implications for individuality within the framework of spatial alienation. © 2025 Intellect Ltd.
  • Article
    Citation - WoS: 1
    Turkish Women Architects in the Late Ottoman and Early Republican Era, 1908-1950
    (Taylor and Francis Ltd., 2007) Erdoğdu Erkarslan, Özlem
    This article examines the public status and educational background of Turkish women architects from 1908 to 1950. Writings on the history of architecture in Turkey, as in the West, have focused on heroic male figures. Key works produced before the late 1970s used data gathered mainly from Arkitekt, the first Turkish architectural magazine, whilst a second generation of Turkish architectural historians has preferred to investigate state and private archives. It is impossible to find a mention of women as architects in either bodies of work, although their contributions are indeed evident in the pages of Arkitekt. This article aims to fill some of these gaps in the highly gendered history of modern Turkish architecture by identifying and examining women's work as architects in Turkey in the first half of the twentieth century. It also explores the relationship between the women's liberation movement, the discipline of architecture, and modernization ideology associated with the Turkish Republic. It argues that women architects, who undertook important private commissions and were permitted to enter public competitions as anonymous entrants, did not encounter overt discrimination until the 1940s. Nevertheless, forms of indirect discrimination across the period served to silence women in the pages of the architectural press and to occlude them from key public commissions and offices.