Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection
Permanent URI for this collectionhttps://hdl.handle.net/11147/7148
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Article Citation - WoS: 1Citation - Scopus: 1A Narrative of an Ideological Destruction: Where Do We Go Now?(University of Pittsburgh, 2023) Tunç Cox, Ayça; Aygün, GamzenurLebanese filmmaker, actress, and screenwriter Nadine Labaki’s 2011 film Where Do We Go Now? is about the ideological manipulation that gradually results in a big conflict among people in a rural Middle Eastern village where Muslims and Christians live in a peaceful existence. Labaki is known for her politically engaged narratives which refer to the recent political past of Lebanese whilst centralizing strong female figures. Where Do We Go Now? is no exception, and thus, reflects the director's general cinematic style and political attitude. Labaki invites her audience through the comedy to question ideology which interpellates and thus constructs the individual as a subject by revealing the ways ideology creates differences, separation, and conflict among people. In this context, this article strives to analyze the film Where Do We Go Now? employing critical discourse analysis with references to Althusser's conceptualization of ideology and Subject-subject formation. © 2023, University Library System, University of Pittsburgh. All rights reserved.Editorial The Editorial Preface: Contemporary Histories of Design and Transience(Univ Oviedo, 2023) Emgin, Bahar; Ata, Zeynep; Tunç Cox, Ayça; Kılınç, Kıvanç[No abstract available]Article Citation - WoS: 2Citation - Scopus: 2Co-Design With Children With Cancer: Insights From What They Say, Make, and Do(Orta Doğu Teknik Üniversitesi, 2023) Örnekoğlu Selçuk, Melis; Hasırcı, Deniz; Tunç Cox, AyçaBeing diagnosed with cancer is traumatic and life-changing for children. Due to the disease and treatment, children experience suffering, pain, interruption in school and playful activities, and separation from social and familiar environments. These negatively affect their quality of life (QOL). This article reports a co-design process conducted with children with cancer to shed light on their needs with regard to the play area furniture at the hospital to recommend design ideas that might improve children's QOL. The results have shown that a modular furniture system that can be customizable by children might contribute to their QOL - thanks to its adaptability to the needs of a wide range of age groups. In addition, there is a possible link between co-design sessions and children's well-being in terms of an increased sense of control, socialization and physical activities. For designers- who are the facilitators of co-design sessions with children- actively involving caregivers in co-design processes, co-designing the generative tools and the process with participants, and conducting observations and interviews to shape and complement the co-design sessions are advised. The findings of this study are expected to assist designers, co-design practitioners and healthcare members.Article The Queen’s Body: The Favourite by Yorgos Lanthimos(Intellect Ltd., 2022) İnan, Fatma Serra; Tunç Cox, AyçaThe palace as a building type is a very complex structure both socially and spatially. It accommodates a few hundreds or thousands of people within a strictly stratified social structure that is constantly manifested through the spatial boundaries or innumerable symbols embodied in the material culture.Article Citation - WoS: 2Citation - Scopus: 3Portrayal of Turkish-German Migratory Relations in Turkish Films of the 1980s: a Call for an Alternative Reading(Routledge, 2019) Tunç Cox, AyçaPopular imagination of an age-old and very common phenomenon - migration - depends on images and stories in circulation. Mediated images of migration, refugees and diasporas play an important role in ethnic and cultural identification processes. This article explores how Turkey has accounted for its own diasporic subjects through cinematic narratives. Focusing on two salient Turkish examples from the 1980s that contradict the dominant narrative tendencies in Turkish-German/German films of the time, this article aims to present a fresh outlook. It strives to explore how these films question stereotypes and problematize essentialist readings of Turkishness and nationhood via a descriptive-interpretive analysis.Article Citation - WoS: 7Citation - Scopus: 4Roma People of Turkey Re-Write Their Cinematographic Images(SAGE Publications Inc., 2020) Uştuk, Ozan; Tunç Cox, AyçaThe historical construction of the Roma image in Turkey, via both official and unofficial narratives, has constituted a derogatory repertoire. Their portrayal in the mainstream Turkish cinema and TV in particular has contributed to the predominant imaginary in circulation which essentially is based on common binaries and stereotypes. In order to challenge prevailing stereotypes about the Roma, we have conducted a transformative action research project with the Roma people of the Sira district in Izmir, Turkey, who volunteered to make their own films. This article provides an account of this community filmmaking project. Locating the Roma in the conceptual framework of subalternity, we ultimately investigate whether it is possible to talk about agency in regard to the Roma people of Turkey.Book Part Citation - Scopus: 4Hyphenated Identities: the Recept Ion of Turkish German Cinema in the Turkish Daily Press(Berghahn Books, 2012) Tunç Cox, AyçaThe success of Turkish German filmmaker Fatih Akın initiated new debates on the identity of Turkish diasporic filmmakers in Germany. While star director Akın and other Turkish German filmmakers have been celebrated in the German media with the slogan “the new German cinema is Turkish,” the Turkish media seems to downplay the German side of their hyphenated identity.1 Instead, the Turkish press uses the achievements of these Turkish filmmakers in Germany to bolster a positive image for Turkey in an international context.