Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection

Permanent URI for this collectionhttps://hdl.handle.net/11147/7148

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Institution Author: search.filters.institutionAuthor.Böke, HasanSubject: search.filters.subject.Pigments

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  • Article
    Citation - WoS: 19
    Citation - Scopus: 20
    Execution Technique and Pigment Characteristics of Byzantine Wall Paintings of Anaia Church in Western Anatolia
    (Elsevier Ltd., 2018) Demir, Serap; Şerifaki, Kerem; Böke, Hasan
    In this study, material characteristics of wall paintings executed in 11th Century Byzantine Church located in archaeological site of Anaia (Turkey) were investigated to provide historical information of the painting techniques. For this purpose, physical, chemical and mineralogical compositions of the paintings were determined by X-Ray Diffraction, Fourier Transform Infrared spectroscopy, Scanning Electron Microscopy coupled with Energy Dispersive spectroscopy and Thermo-Gravimetric Analysis. Analysis results indicated that the paintings were executed using lime-secco technique. In this technique, pigments were mixed with lime and applied on a smooth plaster layer. Pigments used were mainly iron oxides for red, yellow and purple paintings, aluminosilicates such as celadonite for green paintings and lazurite for dark blue paintings.
  • Article
    Citation - WoS: 41
    Citation - Scopus: 42
    Characterization of Materials Used in the Execution of Historic Oil Paintings by Xrd, Sem-Eds, Tga and Libs Analysis
    (Elsevier Ltd., 2009) Şerifaki, Kerem; Böke, Hasan; Yalçın, Şerife; İpekoğlu, Başak
    In this study, material characteristics of historic oil paintings in a 19th century church in Ayvali{dotless}k/Turkey were investigated to propose the treatments to be used in their conservation and protection. For this purpose, physical, chemical and mineralogical compositions and the microstructure of the paintings were determined by X-ray Diffraction, Scanning Electron Microscope, Thermo Gravimetric Analyzer, Differential Scanning Calorimeter, Infrared Spectroscopy and Laser Induced Breakdown Spectroscopy. Analysis results showed that the paintings were composed of very thin binding and white priming layers on which the pigments were applied. Binding layers were composed of polymerized vegetable oil with Zinc Oxide. Priming layers were composed of anglesite mineral in polymerized vegetable oil. Pigments used in paintings were mainly green earth, red chrome and iron oxide.