Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection

Permanent URI for this collectionhttps://hdl.handle.net/11147/7148

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  • Article
    Citation - Scopus: 3
    Creating Spaces for Art: Long Term Impacts of Street Art in the Urban Context
    (İstanbul Teknik Üniversitesi, 2022) Kolçak, Emre; Kaya Erol, Nursen
    Street art can be defined as any informal artistic performances or artworks practiced in the public spaces. Street art has the potential to transform the public spaces by contributing to or reducing the quality of these spaces. Through street art, in many cases, public spaces are transformed into places for entertainment, cultural activities, or areas of protests and expression of the feelings and ideas. The impacts of street art practices might be limited to one part of an open space or spread to a district or even to the entire city depending on its temporal dimen-sion. This article aims to examine the relationship of street art and public space. In this context, the article overviews the concept of street art and demonstrates its positive, negative and temporal impacts on public space. This study uses a case study approach and evaluates the long term impacts of street art practices based on the analysis of three cases in the city of İzmir, Turkey. In İzmir cases it is found out that the street art practices transformed the public space in terms of uses, activities and built environment quality and had impacts on economic and social structure of the community. The findings of this study reveal that street art holds the potential of contributing to the city life through creating spaces for artistic activities and moreover of changing the meaning and identity of the public spaces and the settlements.
  • Article
    Citation - Scopus: 1
    Outside the House but Not in the City: Promenades in Istanbul as Negotiated Public Spaces for Women in 19th-Century Ottoman Novels
    (İstanbul Teknik Üniversitesi, 2021) Çil, Ela; Şenel Fidangenç, Ayşe Nur
    Drawing on from feminist literary theory, this article analyses the first Ottoman novels working within and consolidating the patriarchal discourse published in the rampant modernization period in the second half of 19th century, which is also named the Tanzimat (Reorganization) era of the Ottoman Empire. Having Istanbul as their settings, the discourse of the novels tackle with delineating the limits to the social and cultural transformations, which the novels’ writers perceive to be the direct result of Western influence. The novels have a didactic style aimed for guiding their readers to shield certain values, which they think hold the core of Ottoman identity, from the changes. We argue that the discourse of the novels manifest ambivalence regarding the inevitable presence of women outside the house and negotiate with their readers on the place and practices of publicness. No matter how popular and crowded they had then become, the promenades, were where the male writers aimed to confine women in their outings. At one level, their emphasis on the promenades is related with the conceptualization of nature as a safe space in the context of a modernizing city. And, on the other level, they want to keep Muslim women away from Pera, the Westernized and cosmopolitan district, in Istanbul.