Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection

Permanent URI for this collectionhttps://hdl.handle.net/11147/7148

Browse

Filters

2019 - 201912020 - 20255

Settings

Publisher: search.filters.publisher.Intellect Ltd.

Search Results

Now showing 1 - 6 of 6
  • Book Part
  • Article
    Citation - Scopus: 1
    A Cinematic Narration of Urban Segregation Through Migration in Turkey: an Analysis of the Film Block-C Directed by Zeki Demirkubuz
    (Intellect Ltd., 2025) Aydin, M.F.; Erdoğdu Erkarslan, Özlem; Erkarslan, Ö.; Erkarslan, Önder
    Metropolitan life is always one of the major concerns of modernity as well as the set for the cinematic art. The critical gaze of cinema throws a light on how cities provide various social and architectural contexts for diversified groups as an indispensable part of the scenario. This study delves into the portrayal of metropolitan life in Zeki Demirkubuz’s 1994 film C Blok (Block-C) through the intertwined concepts of spatial alienation, urban segregation and urban migration. Situated within the context of 1990s Istanbul, the film serves as a microcosm for exploring the social and architectural landscape of Turkish modernity. It scrutinizes the interactions between diverse social classes residing in a suburban apartment complex, offering critical insights into how western-style modernization has shaped urban spaces and individual experiences. In this context, the theoretical foundation of this research encompasses the advent of western-style modernization in Turkey, its permeation into societal realms, and the concept of spatial alienation at the social stratum. Moreover, adopting a critical thinking perspective, this study probes the notions of home and house, elucidating their implications for individuality within the framework of spatial alienation. © 2025 Intellect Ltd.
  • Article
    Design Discourse in Discount Shopping Context: Textual Analysis With Critical Studies Perspective and Deconstructionist Theory
    (Intellect Ltd., 2024) Talu, Nilüfer
    In consumption culture, individuals need things to update their selves or to repre-sent their identities. The more they update their belongings, the more they feel unsatisfied. In this cultural recycling, everyday objects become objects of desire, while the notion of design functions to create attraction. The problem originates in the disengagement of subjects–objects in which the capitalist economic system gets benefits sustaining the cycle of mass production-consumption. To get more benefit, this cycle is sped up along with discount shopping context. The study aims to produce a design discourse in discount shopping context in relevance of the issues of individuality and ethics. The method is a textual analysis with critical studies perspective and deconstructionist approach. The texts are the questionnaire transcripts written by fifteen women. Critical studies perspective clarifies power relations between capitalist economic system and consumer; and deconstructivist approach determines binary relations in relevance of individuality, and ethics and heterogeneity of the texts concerning to design. Along with these two approaches, textual analysis creates a discursive structure. The structure is used to generate a design discourse in which the meaning of design is situated. In this structure, design would be something in a specific heterogeneity and relations around the matters of individuality and ethics. The discursive structure is of importance that summarizes the method used and determines all coherencies around the definitions of design. This structure also could be a useful source for the production of other critical discourses on the relations of subjects–objects and the position of design in consumption culture. © 2023 Intellect Ltd Article.
  • Article
    Design Discourse in Discount Shopping Context: Textual Analysis With Critical Studies Perspective and Deconstructionist Theory
    (Intellect Ltd., 2023) Talu, Nilüfer
    In consumption culture, individuals need things to update their selves or to repre-sent their identities. The more they update their belongings, the more they feel unsatisfied. In this cultural recycling, everyday objects become objects of desire, while the notion of design functions to create attraction. The problem originates in the disengagement of subjects–objects in which the capitalist economic system gets benefits sustaining the cycle of mass production-consumption. To get more benefit, this cycle is sped up along with discount shopping context. The study aims to produce a design discourse in discount shopping context in relevance of the issues of individuality and ethics. The method is a textual analysis with critical studies perspective and deconstructionist approach. The texts are the questionnaire transcripts written by fifteen women. Critical studies perspective clarifies power relations between capitalist economic system and consumer; and deconstructivist approach determines binary relations in relevance of individuality, and ethics and heterogeneity of the texts concerning to design. Along with these two approaches, textual analysis creates a discursive structure. The structure is used to generate a design discourse in which the meaning of design is situated. In this structure, design would be something in a specific heterogeneity and relations around the matters of individuality and ethics. The discursive structure is of importance that summarizes the method used and determines all coherencies around the definitions of design. This structure also could be a useful source for the production of other critical discourses on the relations of subjects–objects and the position of design in consumption culture. © 2023 Intellect Ltd Article.
  • Article
    The Queen’s Body: The Favourite by Yorgos Lanthimos
    (Intellect Ltd., 2022) İnan, Fatma Serra; Tunç Cox, Ayça
    The palace as a building type is a very complex structure both socially and spatially. It accommodates a few hundreds or thousands of people within a strictly stratified social structure that is constantly manifested through the spatial boundaries or innumerable symbols embodied in the material culture.
  • Article
    Citation - WoS: 1
    An Apprenticeship Project: Silversmithing in Kapalicarsi (the Grand Bazaar)
    (Intellect Ltd., 2019) Tarcan, Berilsu; Cox, Ayça Tunç
    Various cultural objects, crafts and traditional production techniques from Turkey have been research subjects in the field of design studies in recent years. During this time, definitions of tradition, culture and craft have changed and, therefore, these changes need to be revisited, in particular relating to product design. This study explores these changes through a field study conducted in Istanbul, Turkey, one of the key areas of craft production. Focusing on silversmithing, a traditional craft in Turkey, the study seeks to identify new ways in which craft can be used in and lead to the design of new products. The field study was conducted with students from the Industrial Design Department of Istanbul Bilgi University during their second-year studio course. For the study, they were paired with craftsmen in the Kapalicarsi (the Grand Bazaar) area, one of the most well-known and historic craft neighbourhoods in Istanbul. The aim was to investigate the relationship between traditional craft methods, craft knowledge and contemporary product design, specifically to find out how traditional craft knowledge and methods can be used to inform contemporary product design, and in return, how the craftspeople might benefit from this exchange.