Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection
Permanent URI for this collectionhttps://hdl.handle.net/11147/7148
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Book Part Application of Geothermal Energy in Hydrogen Production(Taylor and Francis, 2024) Ayzit, T.; Özmumcu, A.; Baba, A.Compared to other renewable resources, geothermal energy is a low-cost, technically proven, reliable, clean, and safe energy source that has been used in various fields and applications for many decades. These energy sources can be used directly or by conversion to other forms of energy. The use of geothermal energy for various purposes such as electricity, heating, cooling, greenhouses, dry food, thermal tourism, fisheries, and mineral extraction is widespread in many countries. Today’s installed geothermal capacity is dominated by the United States with about 3.7 GW, followed by Indonesia (2.1 GW), the Philippines (1.9 GW), Turkey (1.7 GW), and New Zealand. Global geothermal power generation capacity at the end of 2020 was 15.6 GW. The top ten geothermal producers account for nearly 90% of the global market, and many countries, especially Europe, plan to invest in geothermal soon. Looking at the direct use of geothermal energy for thermal applications, only four countries (China, Turkey, Iceland, and Japan) account for three-quarters of the energy consumed. Hydrogen can provide a number of benefits for future energy systems. Hydrogen can serve as storage for intermittent renewables or provide grid services. It can replace natural gas in industrial heating processes that are otherwise difficult to decarbonise. Therefore, geothermal resources can be used to produce clean hydrogen. Within this section, the importance and use of geothermal energy have been highlighted. At the same time, detailed information is given about the importance of hydrogen, its production, and its use in connection with geothermal energy. © 2025 selection and editorial matter, Mohammad Reza Rahimpour, Mohammad Amin Makarem, and Parvin Kiani.Book Part Cinematographic Expressions of Diasporic Experience: Decades of Turkish-German Cinema(Taylor and Francis, 2024) Cox,A.T.This chapter presents an analytical account of Turkish diasporic cinema, particularly in Germany for Turkish-German diasporic cinema constitutes one of the most prominent examples. Foregrounding ethnic constituency, the analysis traces how differing perceptions and recollections of dislocation, migration, and the overall diasporic experience have shaped the films of different generations. At the heart of the discussion are questions such as the following: What are the ways the films intersect, shape, contradict, and/or enhance received ideas about migration, diasporic experience, and Turkish/German as well as multiplied ethnic and cultural identities (Kurdish-German, Kurdish-Turkish, Muslim German, Shiite Kurdish, and so on)?; How are contested issues such as gender, sexuality, queer positionalities, diasporic subjectivity, collective memory, and integration addressed in the films?; What does the range of filmmaking styles and modes, genres, formalistic structures, cinematic narratives, and aesthetics tell us about this particular cinema?. © 2024 Taylor & Francis.Book Part Local Innovation in Emerging Creative Ecosystems(Taylor and Francis, 2017) Mengi,O.; Velibeyoglu,K.Globally, most future economic growth will occur in regional cities, but infrastructure and employment are often inadequate. In short, default development approaches may focus on shaping the urban form (infrastructure/housing) at the expense of the institutional and intangible factors driving jobs growth, such as creativity, innovation and sector productivity. Effective local partnerships can help counter the limitations of default approaches to urbanism. Analyses reveal that the wedding wear sector in Izmir, Turkey, in particular is in many respects unique, with great potential as an emerging cluster due to its inherited knowledge and knowhow, yet still lacks in design considerations, and is in desperate need of promotion, advertisement and cost-effective returns. Therefore, the main lesson is that enabling interactions between the local government, NGOs and firms both inside and outside the cluster can promote smart development. At policy level, establishment of an incubator within a four-leg structure is an effective local development partnership. In a practical Turkish context, Chapter 5 investigates the institutional and partnership management arrangements to facilitate such urban innovation hubs for creative ecosystems. © 2018 selection and editorial matter, Simon Huston; individual chapters, the contributors.Book Part Reading Into the Mysteries of Artemis Ephesia(Taylor and Francis, 2009) Aktüre,Z.On 18 September 1956, Franz Miltner, head of the Austrian team of archaeologists working at the ancient site of Ephesos, near modern Selçuk in the Izmir province of Turkey, was informed by an enthusiastic Turkish excavation worker about the unearthing of a golden statue in the Prytaneion (see triptych1).2 On closer examination, the statue turned out to be not gold but, most probably, coated in gold on the upper half. The perfectly worked marble statue was named ‘Artemis the Beautiful’ by Miltner on the basis of its high-quality workmanship, distinguishing it from the later-discovered ‘Artemis the Colossal’, again from the Prytaneion, thus named because of its size. A third, smaller-than-life-size statue again from the Prytaneion would soon join the two.3 © 2009 Selection and editorial matter, Sarah Chaplin and Alexandra Stara; individual chapters, the contributors. All rights reserved.Book Part Curating the Nation: Turkish Pavilions in World Expositions(Taylor and Francis, 2009) Young,S.Y.World expositions predate the Republic of Turkey. They came into existence 72 years before the foundation of the Republic, in 1851, with London’s Great Exhibition. As Timothy Mitchell has stated, these were events to which ‘the “whole world” was to be invited in to see a fantastic and yet systematic profusion of material goods, all the new necessities and desires that modern capitalism could order up and display’.1 The nineteenth-century world expositions gave the opportunity to learn more about other cultures – those of the colonies and of potential new markets. During the nineteenth century, what accompanied the encounter with others was a curiosity to learn the place of one’s own nation in the world and an expectation to be convinced of its superiority over others. After all, world expositions were ‘great new rituals of self congratulation’.2 Consequently, while physically bringing different nations together, expo grounds were conceptually setting them apart. From the placement of the display grounds to the representations of other cultures, the world was hierarchically categorized into a modern, progressive West and its others. © 2009 Selection and editorial matter, Sarah Chaplin and Alexandra Stara; individual chapters, the contributors. All rights reserved.