Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection

Permanent URI for this collectionhttps://hdl.handle.net/11147/7148

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Author: search.filters.author.Kılıç Çalğıcı, PınarPublisher: search.filters.publisher.Middle East Technical University

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  • Article
    Citation - WoS: 6
    Citation - Scopus: 13
    Critical Success Factors of Partnering in the Building Design Process
    (Middle East Technical University, 2015) Doğan, Sevgi Zeynep; Kılıç Çalğıcı, Pınar; Arditi, David; Günaydın, Hüseyin Murat
    The construction industry is vertically fragmented because of the inherent nature of construction projects, which require planning, design, letting, construction, and operation in distinct phases (Fellows and Liu, 2012; Fong and Lung, 2007). The construction industry is also horizontally fragmented because of the general tendency of participants to work independently in all phases of the project (Fellows and Liu, 2012; Saram and Ahmed, 2001). Given the increasing number of construction projects in the current global environment, geographical fragmentation is caused by project participants that are frequently geographically separated. The construction industry is also temporally fragmented, as the phases of construction projects diverge over an estimated time period (Luck, 1996). According to Evbuomwan and Anumba (1998), the fragmentation in the industry results in costly engineering changes and design iterations, time and cost increases, poor communication between project participants, neglect of the application of sustainability principles throughout the life cycle of the building, and inadequate coordination and integration of the various participants. The root cause of much of these problems encountered in the management of building projects can be traced back to the design phase.
  • Article
    Citation - Scopus: 2
    Çevre Psikolojisi Kavramlarıyla Bir Filmin Analizi: Thx 1138
    (Middle East Technical University, 2013) Kılıç Çalğıcı, Pınar
    There is a space-based interaction between environmental psychology, architecture and cinema. In order to exemplify this interaction, the basic concepts of environmental psychology are utilized in the study of a dystopian science fiction film THX 1138 (Lucas, 1971). It is observed that the reinterpretation of the basic concepts of environmental psychology strengthened the dystopic fiction of the film, THX 1138 as a case. From this point of view, the interaction among environmental psychology, architecture and cinema are explained by following a deductive methodology. In the content of this study, firstly the interaction among environmental psychology, architecture and cinema is discussed before analyzing the spaces of the film. This analysis has shown that some of the basic concepts of environmental psychology are reinterpreted through the spaces of the film. The reinterpretations are as follows: 'place attachment', 'place identity', 'privacy', 'spatial perception' and 'territoriality'. Especially among these concepts, the concept of 'privacy' is found to be important to strengthen the dystopic fiction of the film. It is also observed that, this characteristic of the film is founded on the loss of the fundamental rights and freedoms due to normalization of the absence of privacy by the society. With its emphasis on the interaction among environmental psychology, architecture and cinema this paper sets out to clarify this interaction by spatial readings made from the selected film.