Architecture / Mimarlık
Permanent URI for this collectionhttps://hdl.handle.net/11147/24
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Book Part Citation - Scopus: 4'the Hollow Victory' of Modern Architecture and the Quest for the Vernacular: J. M. Richards and 'the Functional Tradition'(Taylor & Francis, 2010) Erten, ErdemIntroduction Modernism and anonymity have remained largely irreconcilable, especially in the fi eld of architecture. As the omnipotent symbol of creativity and artistic power, the personality of the nineteenth-century Romantic artist defi ned the transgressive nature of his early twentieth-century avant-garde successor, while nurturing the emergence of the celebrity architect. Valuing authorship above anonymity, the cult(ure) of avantgardism has invested the modern artist with the power to see beyond culture and tradition to generate cultural transformation. It is peculiar, then, to see that one of the chief editors of the leading modern architecture journals of Britain, J. M. Richards, wrote extensively on the idea of anonymity and the value of vernacular architectures.Conference Object Visual Planning and Urbanism in the Mid-Twentieth Century: Conference at Newcastle Upon Tyne, Uk, 11-13 September 2007(International Seminar on Urban Form, 2008) Erten, ErdemPlanning attitudes with a particular focus on visual and three-dimensional planning have been insufficiently studied in histories of modernism. This conference, sponsored by the UK Arts and Humanities Research Council, focused on ‘a strand of more practical urbanism, modernist in flavour but historically informed [which sought] to recover positive conceptions of the city and town after the perceived deprivations of the nineteenth century’. Dealing with a timespan similar to that of narratives of modernist planning which targeted a radical reformation of the city – from the CIAM doctrine codified by the Athens Charter to the de-urbanist proposals of Frank Lloyd Wright’s Broadacre City – most of the attitudes discussed in the conference papers remained critical of such radical restructuring.Article Citation - Scopus: 4Global Image Hegemony: Istanbul's Gated Communities as the New Marketing Icons(Emerald Group Publishing Ltd., 2013) Kan Ülkü, Gözde; Erten, ErdemIn this paper we investigated how marketing strategies of the developing consumer society has affected housing production in Istanbul as a corollary development ofglobalization in Turkey. We aim to analyze marketing strategies as active agents thatshape the design of emerging gated communities in Istanbul through advertisingmedia based on the theme of 'an ideal life style,' in the form of TV commercials,newspaper ads, publicity brochures etc. We focus on the representation anddissemination of this elusive 'ideal' to the public via the advertising campaigns of thesehousing settlements. Therefore the cases studied in the paper concentrates on theTurkish architectural scene after 1990, when consumer culture's most significantimpacts on architectural products are observed. Marketing of a new type ofsuburbanization in Turkey is concomitant with the rise of a new middle class having ahigh purchasing power and these housing projects are marketed via life stylecharacteristics 'desired' by this class. © 2013 Archnet-IJAR, International Journal of Architectural Research.Article Citation - WoS: 11Citation - Scopus: 6I, the World, the Devil and the Flesh: Manplan, Civilia and H. De C. Hastings(Routledge, 2012) Erten, ErdemA Facebook group page set up in 2008 exclaims: ‘Nuneaton’s Judkins Site should have Civilia Built - Not hazardous waste!’ The group making this appeal was campaigning against a controversial reclamation plant for contaminated soil to be located in a former quarry and demanded instead the realisation of another project for the site which they described as ‘Civilia’: a revolutionary concept of a totally new environment. . . conceived by an award-winning architect writing under the pseudonym Ivor de Wolfe.Conference Object Citation - Scopus: 15Thomas Sharp's Collaboration With H. De C. Hastings: the Formulation of Townscape as Urban Design Pedagogy(Routledge, 2009) Erten, ErdemThis paper focuses on the collaboration between the Architectural Review's (AR) chief editor and proprietor Hubert de Cronin Hastings (1902-1986) and planner Thomas Sharp (1901-1978) in the formulation and dissemination of Townscape as urban design pedagogy in the period between 1935 and 1955. This pedagogy proved effective in questioning the modernist planning attitude defined by the CIAM congresses and the prevalent Garden City mentality of the New Town proposals during post-World War II reconstruction efforts. Growing out of the shared interests and ideological affinities of the people engaged in British post-war reconstruction, 'Townscape' emerged as the result of a collective effort of those affiliated with Hastings for which Nikolaus Pevsner, Thomas Sharp and Gordon Cullen assumed major roles. If the Architectural Press has been the linchpin of this propagation by several books including those by Sharp and the articles published within AR, Sharp's role as a practicing planning consultant was influential, but more importantly institutional in disseminating 'Townscape'. The intermittent collaboration between Hastings and Sharp was a part of Hastings's unrelenting effort in conceptualizing a model of environmental intervention linked to ideals of cultural continuity. Townscape series remained a part of AR during Hastings's editorial reign for more than a quarter century, repeating the same message for different contextual cases as an instrument of teaching its readers how to perceive, visualize and intervene into the urban environment, as much as Townscape was an inseparable component of Sharp's career as planner, lecturer and author that established precedents for many planners to follow.Conference Object News From the Field: Visual Planning and Urbanism in the Mid-Twentieth Century Conference, Newcastle, Uk, 11-13 September 2007(Routledge, 2008) Erten, ErdemWhile the understanding of planning or urban design through their visual aspects alone would be reductive, attitudes to planning that focus on visual and three-dimensional modes remain understudied. To fill this gap, a conference entitled, ‘Visual planning and urbanism in the mid-twentieth century’, was held in Newcastle on 11–13 September 2007. The conference focused on ‘a strand of more practical urbanism, modernist in flavour but historically informed [which sought] to recover positive conceptions of the city and town after the perceived deprivations of the nineteenth century’. The topics discussed at the conference papers focused upon the modern period, during which planners sought to rethink cities radically – as evidenced by such interventions as the CIAM doctrine codified by the Athens Charter, Ebenezer Howard’s Garden City, the de-urbanist proposals contained within Frank Lloyd Wright’s Broadacre City, or interpretations of the linear city by Okhitovich and Milyutin – but also remained critical of drastic restructuring.Article Citation - Scopus: 4Postwar Visions of Apocalypse and Architectural Culture: the Architectural Review's Turn To Ecology(Taylor and Francis Ltd., 2008) Erten, ErdemIn the post-war era, Hubert de Cronin Hastings, the owner and editor (until 1971) of the English periodical The Architectural Review (AR), saw mankind facing its demise through its own scientific creation, the atom bomb. Hastings's editorial policies for the AR were very much influenced by the prospect of impending nuclear disaster during the Cold War and the decline of the British Empire in a world divided into the mandates of two superpowers. While the post-war period brought mistrust of the promise of emancipation through technology and science for those like Hastings, for others there was all the more reason to believe in these ideals with the dawning of a consumerist society and the development of pop culture. Within this cultural context AR aimed to develop and sustain an environmental culture as a holistic strategy in order to respond to planning problems. Targeting not only architects but local and national authorities as well as the 'man on the street', AR launched a series of campaigns that aimed to increase environmental awareness against post-war industrial transformation and the rise of consumerism. After the decline of the affluent consumer society of the 1960s and the devaluation of the pound in 1967, AR revamped its structure and contents and launched its 'Manplan' campaign, reacting against economic crisis and environmental decline. Taking issue with 'Non-Plan: An Experiment in Freedom' written by Reyner Banham, Peter Hall, Paul Barker and Cedric Price in New Society in 1969, 'Manplan' demanded centralization and comprehensive planning against decentralization and dispersal as a means of planning democracy. According to the editors, scientific progress enjoined to consumer culture and ever-expanding economic growth brought a ruthless exploitation of resources as well as destruction of the natural landscape. Before the journal itself went into economic crisis and Hastings left the editorial board, the first issue of the pioneering journal The Ecologist themed 'A Blueprint for Survival' was brought on the board's agenda by Hastings. In the light of global warming and increasing rate of environmental disasters today, the history of AR's editorial campaigns deserve renewed interest. This paper focuses on the neo-romantic ideology that underlay the post-war editorial policies of AR motivated by approaching environmental disaster within the continuum of a quarter century.