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Embodied Cognition and Critique of Cartesian Dualism in Design Learning
(2020) Yazıcı, Gizem
This research explores the relationship between mind and body in the design learning environment. The research focuses on design learning, embodied cognition, mind-body relationship and Cartesian dualism. In the research, the role of embodied cognition in design learning process is drawn attention. The traditional mind-body dualism of Cartesian theory is criticized by embodied cognition in design learning. In the design learning process, it is pointed out that the mind-body dualism of the Cartesian theory becomes dysfunctional. In this research, the concept of reflection-in-action is considered as a type of design learning. It is explained how the epistemological origins of this concept reject Cartesian theory. In this research, mind-body-environment harmony and embodied cognition which are used in reflection-in-action, is explained as the solution of the design problem which has an ‘ill-defined’ problem type. As a result of the research, the importance of mind-bodyenvironment harmony in design learning process is emphasized. Moreover, it is pointed out that the embodied cognition which occurs with this harmony is an important parameter in the design learning process. Finally, it is possible to conclude that in design learning process, embodied cognition rejects Cartesian dualism, and thus the distinction between theory and practice.
Interactive Imagery and Shared Mental Models in Design Learning
(Insider Knowledge - Proceedings of the Design Research Society Learn X Design Conference, 2019, 2021) Yazıcı, Gizem; Doğan, Fehmi
This study explores the relationship between interactive imagery and shared mental models in a design learning environment. The study focuses on design, design learning, and the cognitive components of design. In this research, conceptual project development processes of third year architecture students, in a design studio where four instructors gave desk critiques on a rotational basis, are examined. Within the scope of the study, interviews were conducted with four students and four studio instructors. The process was analysed and interpreted based on the collected data and interviews. It is argued that interactive imagery and shared mental models, which are shaped in the studio's desk critiques, juries and panel reviews, affect the students' conceptual project development. It is possible to conclude that if there is more than one studio instructor giving desk critiques on a rotational basis, students may have both advantages and disadvantages.
Citation - WoS: 25
Citation - Scopus: 28
How To Learn To Be Creative in Design: Architecture Students' Perceptions of Design, Design Process, Design Learning, and Their Transformations Throughout Their Education
(Elsevier, 2021) Taneri, Batuhan; Doğan, Fehmi
The study explores students? perceptions of experiential learning, design and design process, and design education, and whether these perceptions vary according to school year students are in based on qualitative and quantitative data collected from two architectural schools. We inquire into how creativity and design could be learned through repeated design tasks without structured instructions about the creative design process. The explorative study employs surveys and semistructured focus group interviews. The results indicate problem-solving view of design is the most common characterization, students think design is not a straightforward problem solving and is most related to art and creativity. Finally, students report school has a limited impact on how they learn designing. We conclude experiential learning in the studio create shortcomings if not accompanied with a critical and reflective stance and that undertaking design tasks one after the other without explicit reflection on these tasks is an inefficient strategy in learning about the creative design process.

Architecture / Mimarlık

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