Architecture / Mimarlık

Permanent URI for this collectionhttps://hdl.handle.net/11147/24

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  • Article
    The Sustainability of an Urban Ritual in the Collective Memory: Bergama Kermesi
    (MDPI Multidisciplinary Digital Publishing Institute, 2019) İnceköse, Ülkü
    Bergama Festival, locally known as Bergama Kermesi, is an annual festival which dates back to 22 May 1937 in the city. It came into existence as a result of Ataturk's intention to introduce this, an extraordinary town with its historical and cultural properties, and promote it internationally. The Festival is an important element in the collective memory of the city. Initially, it was a civic event, a device in the formation process of the Turkish Republic. However, now, it is a civil event for national and international representatives, and a festival that allows locals and guests from different social, economic, and cultural backgrounds to mix freely and equally for a certain period. In the course of the Festival, the public buildings and the open spaces of the town become places of activity and entertainment. Parks, stadiums, the town square, and streets function as spaces for a variety of activities. Looking back at its 81-year history, one can notice some important changes in the Festival's cultural and social practices, from an earlier state-dominated character into the current more publicly oriented one. This article studies the change of Bergama Festival as an invented tradition' into an element of the collective memory in town from the perspective of different public affairs that it introduces. In this regard, the article will also show how an urban ritual can maintain its sustainability by keeping itself fresh in the social life.
  • Article
    Citation - Scopus: 1
    Curating urban memories in connecting communities
    (Urban Creativity, 2017) Doğu, Tuba; Sönmez, Sevcan
    There is a worldwide growing attention on user participation in shaping urban environments in recent years. With the involvement of local authorities, civil initiatives and neighborhood organizations, it is possible to observe a similar attention in the formation of urban spaces in Turkey. Driven from this approach, this study examines the bottom-up transformation of a cultural space existing since 1960s in Izmir, Guzelyali. To reveal the process of how civic empowerment operated, we simulate a remembering process and curate the process in order to make things visible. The process examines an urban installation to reveal narratives behind collective action through reading collective memory. The scope is to re-read the past in the present in order to generate new processes of civic engagement, and thus actions, in urban spaces. © 2017 Urban Creativity.