Automatic Transcription of Traditional Turkish Art Music Recordings: a Computational Ethnomusicology Appraoach

dc.contributor.advisor Savacı, Ferit Acar
dc.contributor.author Gedik, Ali Cenk
dc.date.accessioned 2014-07-22T13:48:37Z
dc.date.available 2014-07-22T13:48:37Z
dc.date.issued 2012
dc.description Thesis (Doctoral)--Izmir Institute of Technology, Electronics and Communication Engineering, Izmir, 2012 en_US
dc.description Includes bibliographical references (leaves: 96-109) en_US
dc.description Text in English; Abstract: Turkish and English en_US
dc.description xi, 131 leaves en_US
dc.description.abstract Music Information Retrieval (MIR) is a recent research field, as an outcome of the revolutionary change in the distribution of, and access to the music recordings. Although MIR research already covers a wide range of applications, MIR methods are primarily developed for western music. Since the most important dimensions of music are fundamentally different in western and non-western musics, developing MIR methods for non-western musics is a challenging task. On the other hand, the discipline of ethnomusicology supplies some useful insights for the computational studies on nonwestern musics. Therefore, this thesis overcomes this challenging task within the framework of computational ethnomusicology, a new emerging interdisciplinary research domain. As a result, the main contribution of this study is the development of an automatic transcription system for traditional Turkish art music (Turkish music) for the first time in the literature. In order to develop such system for Turkish music, several subjects are also studied for the first time in the literature which constitute other contributions of the thesis: Automatic music transcription problem is considered from the perspective of ethnomusicology, an automatic makam recognition system is developed and the scale theory of Turkish music is evaluated computationally for nine makamlar in order to understand whether it can be used for makam detection. Furthermore, there is a wide geographical region such as Middle-East, North Africa and Asia sharing similarities with Turkish music. Therefore our study would also provide more relevant techniques and methods than the MIR literature for the study of these non-western musics. en_US
dc.identifier.uri https://hdl.handle.net/11147/2926
dc.language.iso en en_US
dc.publisher Izmir Institute of Technology en_US
dc.rights info:eu-repo/semantics/openAccess en_US
dc.subject.lcsh Information storage and retrieval systems--Music en
dc.subject.lcsh Music--Computer programs en
dc.subject.lcsh Music--Data processing en
dc.title Automatic Transcription of Traditional Turkish Art Music Recordings: a Computational Ethnomusicology Appraoach en_US
dc.type Doctoral Thesis en_US
dspace.entity.type Publication
gdc.author.institutional Gedik, Ali Cenk
gdc.coar.access open access
gdc.coar.type text::thesis::doctoral thesis
gdc.description.department Thesis (Doctoral)--İzmir Institute of Technology, Electrical and Electronics Engineering en_US
gdc.description.publicationcategory Tez en_US
gdc.description.scopusquality N/A
gdc.description.wosquality N/A
relation.isAuthorOfPublication.latestForDiscovery a9dcc58b-4e46-449b-8d4d-2ff633511c75
relation.isOrgUnitOfPublication.latestForDiscovery 9af2b05f-28ac-4003-8abe-a4dfe192da5e

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