Conservation Problems of Historic Wall Paintings of Taxiarhis Church in Cunda, Ayvalık

dc.contributor.advisor Böke, Hasan
dc.contributor.author Şerifaki, Kerem
dc.date.accessioned 2014-07-22T13:51:18Z
dc.date.available 2014-07-22T13:51:18Z
dc.date.issued 2005
dc.description Thesis (Master)--Izmir Institute of Technology, Architectural Restoration, Izmir, 2005 en_US
dc.description Includes bibliographical references (leaves: 73-77) en_US
dc.description Text in English;Abstract: Turkish and English en_US
dc.description xii, 77 leaves en_US
dc.description.abstract In this study, wall paintings of the Taxiarhis Church were investigated with the purpose of conservation. Wall paintings are documented by photographs and drawings. It was aimed to determine the application technique and material properties of the paintings. Wall paintings of the Taxiarhis Church were executed in two different periods. Hence, samples including all periods were collected. Basic physical properties, raw material compositions, chemical and mineralogical compositions and micro structures of the plaster layers were determined. Chemical and mineralogical compositions and the microstructure of the painting layers and weight loss of the binder due to heat were determined. These studies were carried out by X-Ray diffraction (XRD), scanning electron microscope, thermogravimetric analyzer (TGA), Differential scanning calorimeter (DSC) and infrared spectroscopy (FT-IR).Wall paintings were executed on fine lime plaster by using vegetable oils (linseed, walnut, poppy seed, etc.) by oil painting technique. Wall paintings of both periods were executed on fine lime plasters. Vegetable oil mixed with ZnO was used in the preparation of binding media. Priming layer over binding layer is composed of Anglesite (PbSO4) and vegetable oil. Pigments that gave the color to the paintings were executed on the priming layer and may be defined as green earth, lead red and iron oxide. Vandalism is an important effect in the deterioration of the paintings. Beside this, crack formation on the paint surfaces and disintegration of the fine plaster and paint layers due to the wetting drying cycles are observed. Deteriorations observed on paintings will be prevented by the consolidation of the structure and the control of the dampness.Keywords: Taxiarhis Church, Wall painting, Linseed oil, Oil painting, Cunda. en_US
dc.identifier.uri https://hdl.handle.net/11147/3312
dc.language.iso en en_US
dc.publisher Izmir Institute of Technology en_US
dc.publisher Izmir Institute of Technology en_US
dc.rights info:eu-repo/semantics/openAccess en_US
dc.subject.lcc NA5870.T2 .S48 2005 en
dc.subject.lcsh Taxiarchis Church in Cunda en
dc.subject.lcsh Church architecture--Turkey--Ayvalık--Conservation and restoration en
dc.subject.lcsh Churches--Protection--Turkey en
dc.subject.lcsh Mural painting and decoration--Protection--Turkey en
dc.subject.lcsh Church decoration and ornament--Turkey en
dc.title Conservation Problems of Historic Wall Paintings of Taxiarhis Church in Cunda, Ayvalık en_US
dc.type Master Thesis en_US
dspace.entity.type Publication
gdc.author.institutional Şerifaki, Kerem
gdc.author.yokid 41044
gdc.coar.access open access
gdc.coar.type text::thesis::master thesis
gdc.description.department Thesis (Master)--İzmir Institute of Technology, Conservation and Restoration of Cultural Heritage en_US
gdc.description.publicationcategory Tez en_US
gdc.description.scopusquality N/A
gdc.description.wosquality N/A
relation.isAuthorOfPublication.latestForDiscovery e2a9a972-be57-47ff-a41d-c3b05fd822ad
relation.isOrgUnitOfPublication.latestForDiscovery 9af2b05f-28ac-4025-8abe-a4dfe192da5e

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