Electrical - Electronic Engineering / Elektrik - Elektronik Mühendisliği
Permanent URI for this collectionhttps://hdl.handle.net/11147/11
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Article Citation - WoS: 5Citation - Scopus: 8Evaluation of the Makam Scale Theory of Arel for Music Information Retrieval on Traditional Turkish Art Music(Routledge, 2009) Gedik,A.C.; Bozkurt,B.Current music information retrieval (MIR) methods are specifically tailored to the needs of western music. Therefore, it is not straightforward to apply these methods to non-western musics such as traditional Turkish art music (TTAM). Western music theory plays a crucial role in MIR studies. The divergence, however, between theory and practice in traditional Turkish art music (TTAM) results in a lack of a reliable theory of TTAM on which MIR techniques can be based. This is particularly true for theories regarding pitch scales and interval structures in TTAM. In this paper, we evaluate the most influential (yet disputable) theory of TTAM, Arel theory, by means of a makam classification task, to understand whether it can provide a basis for MIR studies on TTAM in a similar way western music theory provides a basis for MIR studies on western music. It is shown that Arel theory is overall successful when applied for modality finding in TTAM and that it can be improved if small modifications are introduced following pitch values obtained from musical practice. © 2009, Copyright Taylor & Francis Group, LLC.Article Citation - WoS: 36Citation - Scopus: 64Pitch-Frequency Histogram-Based Music Information Retrieval for Turkish Music(Elsevier Ltd., 2010) Gedik, Ali Cenk; Bozkurt, BarışThis study reviews the use of pitch histograms in music information retrieval studies for western and non-western music. The problems in applying the pitch-class histogram-based methods developed for western music to non-western music and specifically to Turkish music are discussed in detail. The main problems are the assumptions used to reduce the dimension of the pitch histogram space, such as, mapping to a low and fixed dimensional pitch-class space, the hard-coded use of western music theory, the use of the standard diapason (A4=440 Hz), analysis based on tonality and tempered tuning. We argue that it is more appropriate to use higher dimensional pitch-frequency histograms without such assumptions for Turkish music. We show in two applications, automatic tonic detection and makam recognition, that high dimensional pitch-frequency histogram representations can be successfully used in Music Information Retrieval (MIR) applications without such pre-assumptions, using the data-driven models. © 2009 Elsevier B.V. All rights reserved.