Ergül, Emre
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Ergül, E.
Ergul, Emre
Ergul, E.
Ergul, Emre
Ergul, E.
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02.02. Department of Architecture
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Sustainable Development Goals
1NO POVERTY
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2ZERO HUNGER
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3GOOD HEALTH AND WELL-BEING
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4QUALITY EDUCATION
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5GENDER EQUALITY
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6CLEAN WATER AND SANITATION
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7AFFORDABLE AND CLEAN ENERGY
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8DECENT WORK AND ECONOMIC GROWTH
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9INDUSTRY, INNOVATION AND INFRASTRUCTURE
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10REDUCED INEQUALITIES
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11SUSTAINABLE CITIES AND COMMUNITIES
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12RESPONSIBLE CONSUMPTION AND PRODUCTION
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13CLIMATE ACTION
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14LIFE BELOW WATER
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15LIFE ON LAND
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16PEACE, JUSTICE AND STRONG INSTITUTIONS
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17PARTNERSHIPS FOR THE GOALS
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9 results
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Master Thesis A Typological Analysis of Parsel-House Relationship in Ottoman Western Anatolian Cities: the Case of Kula(Izmir Institute of Technology, 2004) Saf, Hayriye Oya; Ergül, EmreThere have been plenty of studies held in the course of time for the Ottoman City and the Ottoman House where effort has been spent to determine the origins of the Ottoman house and the plan typologies and to describe the social, administrative and economical structures of Ottoman cities through analyzing the cities and their urban patterns. However, it is worth notice that all the related researches lack any consideration based on analysis of the house-parcel in the Ottoman city. This study aims at searching for such a relationship in house . parcel with particular reference to Kula, 18th 19th century West Anatolia Ottoman city, and to examine the existence of any relationship as guided by due analyses to be held.In the first chapter, the main point of departure has been the definition of the problem. Through discussion on the studies, which have been accomplished as concerning the Ottoman house and Ottoman cities in related literature, those points of consideration that lack any detailed study have been determined. The scrutinization of related literature has then revealed that there exists, no researches related with either the existence nor non-existence of house and parcel relationship in Ottoman cities and with the intention to create a basis for similar researches to be established later, the decision has been given to work further on the house . parcel relationship. Those criteria thathave been adopted for considerations of location have been mentioned and the methods to be used for the study have been determined.In context of this study, the second chapter involves primarily the description of the physical structure of the Ottoman city to be later followed by examination of economical and social structures and an introductory explanation of administrative and economical institutions; and effort has been spent to determine the actors that undertake a role in production and production of the physical environment. Finally, the districts, which can be depicted as the basic units of the Ottoman city, have been elaborated in terms of their cultural and physical structures, organization, administration and daily life.The third chapter, on the other hand, discusses the origins of the Ottoman houses, the typological classifications made as concerning the plan types and states the general characteristics, elements and plan types of the Ottoman House and additionally, the regional house types and general characteristics of the West Anatolian houses have also been mentioned since the case study area has been chosen as Kula.In the fourth chapter prior to passing on to the case study, the historical background, the geographical and geological structures as well as physical structure of the case study area of Kula have been elaborated and in context of physical structure, effort has been spent to introduce the changes in urban pattern, the public buildings,architectural characteristics of house, construction materials and construction elements.In the case study, on the other hand, the studies within the selected area has been furthered by grouping of parcels according to their shapes, locations, sizes (areas) and the ratio acquired by division of house area into parcel area, all accomplished in the will to determine the house types. Following the analysis and grouping of all data in tables,the analyses on Parcel location . Parcel.s geometrical shape, House type . Parcel's geometrical shape, House type . Parcel location, House type . Parcel Area and House area / Parcel area . Parcel.s geometrical shape have been made and the obtained data have been further grouped in tables availing for interpretation of results.Finally in the conclusion, the percentage rates of all data obtained in chapter four have been calculated in the will to arrive at a statement based on these rates.Master Thesis A Critical View of Turkish Architectural Thought and Architectural Practices in the Tourism After 1980(Izmir Institute of Technology, 2000) Uzunoğlu, Erdal; Ergül, EmreTheyears of 1980's and 1990's caused important changes in Turkish architecture. It is observed that the sovereign of modernism, which directed the Turkish architectural practiceand thought until these years, began to collapse. From now on, many style and thought can continue their existence together in the architectural field. Tourism architecturein Turkey has an important place in this change, living. Thus, it will not be wrongto say that the first field where these new ideas, new styles of after 80's revealed themselvesis the tourism architecture.It is impossible to abstract the changes lived in architectural field from the changes observed in the other fields of life. No doubt that, the economic, political and social changesinfluenced the architecture very much. Because of this, it is possible to be able to perceive and analyse exactly the changes lived in architectural scene, only with being able to define the changes in all these fields, which were considered as effected the architecture directly-indirectly. The economic and political changes lived in this period, were situated in this study initially because of this reason. In the following chapters, the marks of the changes lived in these fields are searched on the architecture of the period.Tourism architecture takes places in this study in the reason of constituting the field which the explosion of style lived in architecture in these years, best observed. The medium, which architecture participated in, is discussed with the examples of tourism architecture.Key words: Modernism, postmodernism, pluralism, popular culture, tourism architecture, planning policies, identity,Master Thesis Development of Reinforced Pmma Sheets for Office Furnitures and a New Junction Detail Proposal(Izmir Institute of Technology, 2006) Özçiftçi, Sibel; Ergül, EmreNowadays life styles are changing and more modern than before, for that reason peoples furniture desires are different. In this modern world; furniture using gain a meaning and play important role than before, it defines peopele.s social status and their posion in this life. Design criteria are changing and improving everyday because of this designers use different equipments for their desingns. Glass production which is diffucult to take a shape hence plastic meterials were common after World War II. Modern views and their strength transperent materials satisfied designers desires. After gained environment conclousness same plastics which are non recyling products were gave up to use. Light and high strength plastic which is a recyling material PMMA is very common to use PMMA as known as a brand which name is plexiglass in Turkey. Also this plastic materials have very effective features than others.. İn this study, transparent sheets, glass and PMMA which are used furniture production were studied. As a designer approach different examples and combine details are given.Combine details which are used furniture production were researched and PMMA panel's strength,variety and flexibility were suggested as an beneficial metarial. After the performance, for the office furnitures, there had been a suggestion on a material that brings positive reaction for its endurance, variation and elasticity to the PMMA plate which is more frequently preferred compared with glass. In the suggested material, putting galvanized matting string between the two PMMA plates resulted in stronger and more elasticity characteristics,compared to the standart PMMA plate. After the compose of the material, it had been put through durability test.As a result the material's bending durability had been calculated, too.Doctoral Thesis The Phenomenon of the Home in Modern Culture: Transcendental Homelessness and Escape Fantasy at the Intersection of Art and Design(Izmir Institute of Technology, 2008) Talu, Nilüfer; Ergül, EmreFragmented perception of the city; the oppressiveness of the capitalist system; the psychological conditions of the metropolis comprised integral aspects of Modernity which overwhelmed the nerves of modern urbanite. While the metropolis, the exterior, has been the source of fear and anxiety, the home, the interior, has been pointed out as the venue of escape from the outside. To the extent that the home is idealized as counterpart of the metropolis and social life, as the site of the heimlich and as one of the means of the capitalist system, becomes too a place where alienation has come to be overtly observed. The impossible desire to return to the home links up with transcendental homelessness and the escape fantasy and coalesces with the notion that .in the modern world one can only dwell in one.s body..This study focuses on the discourse that renders the modern individual in the image of the traumatic due to the pathological relationship between the modern individual and home. The research method consists of the implementation of .discourse analysis. as developed by Michel Foucault. Through this method, the argument is presented through art works/objects taken as critical spatial practices. In the context of this method, five fields are determined as constituting the positivity of the discourse: .Enterprises., .Actions., .Dialectics., .Critical Discourses., and .Critical Practices.. Through these five fields, the study analyzes such modern phenomena as individualization and alienation of the modern individual, transcendental homelessness, nostalgia, homesickness, isolation, and escape fantasy.Key Words: Modern individual, modernity, metropolis/megalopolis, modern dwelling, modernist architecture, standardization, mobility, trauma, home, domesticity, nostalgia, homesickness, uncanny, transcendental homelessness, alienation, anxiety, individualization, escape fantasy, discourse, statement, discursive formation, positivity.Master Thesis Strategic Brand Communication Product Design(Izmir Institute of Technology, 2007) Tirit Ekmekçi, Handan; Ergül, EmreThis thesis shows the importance of .strategic brand identity and strategic management of this identity through the product portfolio of the brand. and also the correspondence between them, with respect to create brand recognition and differentiation through brand specific design language, in a specific case by a qualitative case study approach. In this thesis, it is proposed a particular combination of both .Design Format Analysis. method of Anders Warell and heuristic method of Toni Matti Karjalainen on .Semantic Transformation in Design. to provide a heuristic method to identify how .Bang & Olufsen. seems to comprehend its strategic identity through its history and how the semiotic aspects of product design is used to promote it through strategic portfolio management (Warell 2001 and Karjalainen 2004). Although there are some main differences between these two approaches, Karjalainen and Warell indicate that the product portfolio of the brand needs to consist of products that, at least to a certain degree, incorporate common design elements and characteristics that embody brand specific meanings in order to support brand identity. The brand specific design language of B & O which is determined as .Flush Design Concept. is dynamic with a right balance between novelty and consistency by a long-term strategic brand communication through whole product portfolio considering both .internal design culture, design heritage of the company. and .the changing market.. The products of the company have strong identity and have a considerable impact on the visual recognition of B&O brand even though the company mostly prefers the .push. strategy in strategic design approach resulting from an innovative design approach and designing differentiating products instead of the .pull. strategy offered by a strong market-oriented approach. The semiotic aspects of .B&O typical Flush Design Concept. design style incorporate the core brand values such as .magical, inventiveness, originality, selectivity. and reinforce brand recognition and differentiation. The company manage to transmit intended messages to the target customers through the communicative qualities of brand-specific design language by .continuously renewal design based model of strategic change. (brand identity management) through .continuously renewal design driven innovation. product strategy.Master Thesis Assessment of Lighting Performance of Pvc and Pmma Materials in Office Spaces in Terms of Visual Comfort(Izmir Institute of Technology, 2006) Öztürk, Müge; Ergül, EmreThis research tests the plastic materials which can provide properly diffused illumination level and have smooth transmittance performance. Among these materials, two of them, PVC (polyvinylchloride) and PMMA (polymethylmethacrylate) sheets are evaluated, compared with each other and application possibilities. Besides, one of most important evaluation criteria for efficient lighting in office spaces; transmission property of these materials is empirically tested in laboratory in the scope of this study. One of these, PMMA is produced on commercial purpose in Turkey and used with its well known name; Plexiglas and the other one; Barrisol is an officially registered trademark of PVC translucent strech sample used in test. This study is gathered by means of searching lighting literature, rather restricting the data about two specific plastic based materials used in offices and experimenting the transmission characteristics of plexiglas and Barrisol. Scientifically; transmitting and diffusing of a material are unattached properties and rather concerned with chemistry. But there is a measured certainity that Plexiglas has %92 and Barrisol %73 percentage of transmission value. The results of test also supports that; transmission percentage of plexiglas sample is higher than Barrisol. It is reached to the conclusion that; when light directly comes down on a workplane whithout being regularly dispersed, it will tire viewer.s eyes and deteriorate visual comfort, negatively affecting productivity in offices.Doctoral Thesis Costruction of Time Conception in Architectural Realm, Sigfrifd Giedion and Space, Time and Architecture(Izmir Institute of Technology, 2003) Güner, Deniz; Ergül, EmreThe main idea aimed in this dissertation is to deconstruct the transposition process of the concept of time from a term of art history into that of architecture.Thesis begins with the transforming effects of the art historical space conceptions in the 19th century German architectural theories on the formation of 20th century modern architectural space conception as .Space-time.. Space-time is termed by the avant-gardist architectural historian-critic Sigfried Giedion in the beginning of the first quarter of the twentieth century to characterize the morphological and structural forms of the new modes of spatial experience, temporal consciousness and self-evidency as the new characteristics of architectural Modernity.Apart from the Swiss art history tradition he has been trained, Giedion undertakes a leading role and owing to his historian background, constitutes a model both in establishment of historiography of modern architecture and in shaping the role of an architectural historian. Within the framework of his dual programmatic roles of Avant-gardist architectural historian and of mediator historian, suggesting the unification of architecture and life, Giedion renders architecture as the origin and apparatus of the holistic cultural renewal he has been striving to realize. In line with his Hegelian Telos of Unity, in order to justify his unification ethos he has proposed in every field of life between .feeling. and .thought,. Giedion invents scientific and artistic footings. Giedion sets on his Hegelian understanding of history as Zeitgeist to support the self-evidencies of scientific and artistic indications, which are operatively selected and connected by himself. Under the effect of this unification ethos, having made an attack on transposing the concept of time into architectural realm as .Space-time,. Giedion has constructed it to characterize the architectural Modernity and at the same time, has paradoxically started to equip the meaning of his .Space-time. invention with the therapeutic ideology, which aimed to dissolve .tensions. and to eliminate all symptomatic .illnesses. of the modernization process.Within the context of the operative historian figure of architectural Modernity, the thesis reveals how Giedion has constructed the Space-time conception throughout his book Space, Time and Architecture written in 1941 and with continuous additions to the book, how he has transformed the concept both in terms of content and meaning. This dissertation presents under which traditions, conditions, motivations and mentalities Giedion has invented the Space-time concept, deciphering how the content of the concept has been transformed through deconstruction of persuasion mechanisms and narrative techniques used in order to render this invention as self-evident. Within the framework of this demystifying and deconstructing approaches, thesis examines how the idea of space constituted and framed by the psychology, physiognomy and Gestalt theories of the 19th century have been transformed into spatial experience at the beginning of the 20th century and how Giedion transposes this spatial experience into .Space-time. as the morphological, spatial, temporal and syntaxial characteristics of modern architecture.This dissertation presents how the diversified traces of time theorizations ranging from the 19th century pseudo-scientific fourth dimension theories to non-Euclidean Geometry theories, from Einstein.s General Theory of Relativity to anthropomorphic time conceptualizations in philosophy are continued by Giedion have been deciphered.Transforming the static relationship between subject-object by suggesting the mobilization of Subject and the disengagement in syntax between the parts and totality of the Object, Giedion addresses the Cubist painting as a shift in the reception of .hidden. and .unseen. fragments of the Reality and it.s .contemporaneous. Einstein.s General Theory of Relativity as the scientific footing for the temporal characteristic of the spatial experience. Elaborating the 19th century art-historical space conceptions, the principles of a-perspectival view in the new mode of visual perception theories, which include time consciousness within the spatial experiences and the fragmented totality of the mentally constructed images of modern space conception in post-cubist reception theories, this dissertation scrutinizes, the techniques of expanding the meaning of Space-time conception and the mechanisms of persuasion that convert the meaning into a metaphoric narrative and the representative instrument of Modernity in the last edition of the book Space, Time and Architecture.Consequently, it has been analyzed how the two important concepts of Space and Time have undergone changes and transformations until they have been reached to Giedion, and how he has adopted this intellectual heritage and transformed it into .Space-time. that amounts to the modern space conception of the 20th century. Key Words: Space-time; Sigfried Giedion; Space, Time and Architecture;Architectural Historian; Historiography of Modern Architecture.Doctoral Thesis Determination of the Place Concept in Reproduction Process of Built Environment: Kordon, Izmir as a Case Study(Izmir Institute of Technology, 2004) Yılmaz, Ebru; Ergül, EmreThis research aims to argue the transformative effect of modernist processes on the reproduction of built environment with reference to the concepts "place" and "space" Place as lived space will be questioned under the impact of the process of the reproduction of built environment. At the same time, it is related with the general rules of the process of production. Urban space, which is basically determined with power relations, is perceived through spatial codes that conduct the effect of this relation. Space as a representation of a particular discourse and idea is more than a neutral box. Clearly, it exhibits a multi-layered structure representing all types of political, economic, social and cultural discourses behind its creation. The concept of place involves firstly the spatial relations taking place in a particular geography and secondly the sense of attachment evoked as a result of these relations. Place concept cannot be thought independent of the power whose existence dictates all these relation types. In addition to that, space that continues to be produced through the practices of daily life remains to be a part of mental production, both individually and collectively. If the production of space is taken into consideration, each manipulation is also a redefinition of all elements constructing the identity of places and sense of belonging. For that reason, in order to analyze the meaning of a place, detailed reading of all layers involving the deciphering of their historical stratification is required. Reproduction of space is an entire reproduction with all its relations taking place in it. At the same time, it is the reproduction of place with all features that identifies it. Thus, today, a new viewpoint is required; because physical restructurings form a constant threat for our cities by destroying their identical spaces and physical focuses of social life, and finally by creating a crisis of memory.Doctoral Thesis Transformation of Meaning of Architectural Space in Cinema: the Cases of "gattaca" and "truman Show"(Izmir Institute of Technology, 2005) Kutucu, Seçkin; Ergül, EmreThis study aims to expose the transformation of meanings of architectural space in cinema films and the transformative impact of cinema. And in this exposition, Andrew Niccol's Gattaca (1997) and Peter Wier's "Truman Show" (1998) films have been analyzed in case study in order to uncover the meaning changes of architectural spaces that have taken place in film medium. Since the early 20th century, cinema has developed into an influential mass communication tool due to the advancements in technology. The cinematic and photographic tools have been designed basically as instruments for receiving and recording of images at the beginning but then addition to the functions of recording, they are used in the re-production of reality. In the past, architecture had been influenced from other image and visualization techniques in presentation and representation of space like pictorial perspective. And it is inevitable that it has been under the influences of cinema in the re-production and the representation of space It is essential for architects to be aware of the transformative impact and features of film medium in the representation of space. And In this dissertation the primary visions of the two disciplines on space, architectural space and cinematic space have been comparatively studied. Key words: architecture, cinema, space, representation, architectural space in films, transformation of space.