Yakalı, Dikmen

Profile URL
https://hdl.handle.net/11147/16512
Name Variants
Yakalı, D.
Yakali, Dikmen
Yakalı, D
Yakali, D
Yakali, D.
Job Title
Email Address
Main Affiliation
01.01. Units Affiliated to the Rectorate
Status
Current Staff
Website
ORCID ID
Scopus Author ID
Turkish CoHE Profile ID
Google Scholar ID
WoS Researcher ID

Sustainable Development Goals

NO POVERTY1
NO POVERTY
0
Research Products
ZERO HUNGER2
ZERO HUNGER
0
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GOOD HEALTH AND WELL-BEING3
GOOD HEALTH AND WELL-BEING
0
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QUALITY EDUCATION4
QUALITY EDUCATION
0
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GENDER EQUALITY5
GENDER EQUALITY
1
Research Products
CLEAN WATER AND SANITATION6
CLEAN WATER AND SANITATION
0
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AFFORDABLE AND CLEAN ENERGY7
AFFORDABLE AND CLEAN ENERGY
0
Research Products
DECENT WORK AND ECONOMIC GROWTH8
DECENT WORK AND ECONOMIC GROWTH
0
Research Products
INDUSTRY, INNOVATION AND INFRASTRUCTURE9
INDUSTRY, INNOVATION AND INFRASTRUCTURE
0
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REDUCED INEQUALITIES10
REDUCED INEQUALITIES
0
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SUSTAINABLE CITIES AND COMMUNITIES11
SUSTAINABLE CITIES AND COMMUNITIES
0
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RESPONSIBLE CONSUMPTION AND PRODUCTION12
RESPONSIBLE CONSUMPTION AND PRODUCTION
0
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CLIMATE ACTION13
CLIMATE ACTION
0
Research Products
LIFE BELOW WATER14
LIFE BELOW WATER
0
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LIFE ON LAND15
LIFE ON LAND
0
Research Products
PEACE, JUSTICE AND STRONG INSTITUTIONS16
PEACE, JUSTICE AND STRONG INSTITUTIONS
0
Research Products
PARTNERSHIPS FOR THE GOALS17
PARTNERSHIPS FOR THE GOALS
1
Research Products
This researcher does not have a Scopus ID.
This researcher does not have a WoS ID.

Publication Collaboration

Affiliation Name Count
Izmir Institute of Technology 4
Doğuş University 1
Ankara Hacı Bayram Veli University 1
1 / 1
Data obtained from OpenAlex
Scholarly Output

3

Articles

3

Views / Downloads

582/302

Supervised MSc Theses

0

Supervised PhD Theses

0

WoS Citation Count

7

Scopus Citation Count

7

Patents

0

Projects

0

WoS Citations per Publication

2.33

Scopus Citations per Publication

2.33

Open Access Source

2

Supervised Theses

0

JournalCount
CINEJ Cinema Journal1
Frontiers in Sociology1
Journal of Family History1
Current Page: 1 / 1

Scopus Quartile Distribution

Competency Cloud

GCRIS Competency Cloud
Author of Publication: search.filters.isAuthorOfPublication.51f80c49-4d1e-4f39-bfea-6262ed0d0fc1

Scholarly Output Search Results

Now showing 1 - 3 of 3
  • Article
    Citation - WoS: 3
    Citation - Scopus: 3
    “He Is Just Ken:” Deconstructing Hegemonic Masculinity in Barbie (2023 Movie)
    (Frontiers Media SA, 2024) Yakalı, D.; Yakalı, Dikmen; 01.01. Units Affiliated to the Rectorate; 01. Izmir Institute of Technology
    Scholars have consistently explored Barbie in various contexts, often subjecting it to critical analysis. However, the release of the Barbie 2023 Movie has shifted our focus from Barbie to Ken, marking the first occasion when Barbie has provided a platform for exploring representations of masculinity both in the patriarchal society and in popular culture. This article aims to investigate how the 2023 Barbie movie deconstructs symbols of hegemonic and toxic masculinity and its performative aspects within the framework of (post)feminist discourse. It examines how the movie satirically employs symbols of traditional, hegemonic masculinity to challenge normative masculine ideals prevalent in our patriarchal society. The movie -through its popularity- significantly contributes to mainstream postfeminist media culture, creating a platform where discussions on masculinity, its associated crises, and the broader gender wars, along with their existential ramifications, become unavoidable. Exploring the ways masculinities are problematized and contested within postfeminist media culture, I argue that Ken, within this narrative, is positioned as the latest icon of postfeminist masculinity, symbolizing a critical juncture in the ongoing discourse on gender roles and identities. Copyright © 2024 Yakalı.
  • Article
    Citation - WoS: 3
    Citation - Scopus: 3
    Selfless Subjectivities That (re)build the Nation: Remaking the Modern Turkish Woman in the Early Republican Period in Turkiye
    (SAGE Publications, 2023) Yakalı, Dikmen; Yakalı, Dikmen; Ataman, Bora; 01.01. Units Affiliated to the Rectorate; 01. Izmir Institute of Technology
    This study explores the newly constructed female identities of the Early Republican Era in Turkiye (1923-1945). Through a thematic analysis of three contemporary women's magazines (Aile Dostu, Ev-Is, and Asrin Kadini) it aims to examine how conceptualizations of marriage and family were refashioned in the magazines to fit in the images within the newly constructed domestic ideologies of the state. We argue that the selfless subjectivities offered by the magazines point to dialogically constructed narrative identities which are not stable but fluid. The women's magazines of the Era aimed to reconstruct new identities by representing the Republic's ideas and official ideology to its people. Thus, they became one of the tools of social engineering in the way of transforming the nation into a modern, Westernized one. Analysing these magazines help us identify the repertoire of subjectivities and narrative identities from which women drew while making sense of their selves during an era of transformation.
  • Article
    Citation - WoS: 1
    Citation - Scopus: 1
    Green Border: Cinematic Storytelling as History of the Present
    (University Library System, University of Pittsburgh, 2024) Yakalı, Dikmen; Erdoğan, Z.; 01.01. Units Affiliated to the Rectorate; 01. Izmir Institute of Technology
    This article analyzes Agnieszka Holland’s film Green Border, which addresses the migrant crisis at the Belarus-Poland border, exploring how Foucault’s concept of “history of the present” applies to migration cinema. We argue that Green Border functions as a cinematic intervention that challenges audience perceptions of power structures and their resistance. The study also establishes criteria for analyzing films as “history of the present,” focusing on characteristics such as the immediate relevance of depicted events, the documentation of social issues, the film’s influence on public perception, and a multifaceted narrative construction. Ultimately, the framework shows how cinema reflects and shapes social, political, and cultural realities in real time. © 2024, University Library System, University of Pittsburgh. All rights reserved.