Electrical - Electronic Engineering / Elektrik - Elektronik Mühendisliği
Permanent URI for this collectionhttps://hdl.handle.net/11147/11
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Article Citation - WoS: 5Citation - Scopus: 8Evaluation of the Makam Scale Theory of Arel for Music Information Retrieval on Traditional Turkish Art Music(Routledge, 2009) Gedik,A.C.; Bozkurt,B.Current music information retrieval (MIR) methods are specifically tailored to the needs of western music. Therefore, it is not straightforward to apply these methods to non-western musics such as traditional Turkish art music (TTAM). Western music theory plays a crucial role in MIR studies. The divergence, however, between theory and practice in traditional Turkish art music (TTAM) results in a lack of a reliable theory of TTAM on which MIR techniques can be based. This is particularly true for theories regarding pitch scales and interval structures in TTAM. In this paper, we evaluate the most influential (yet disputable) theory of TTAM, Arel theory, by means of a makam classification task, to understand whether it can provide a basis for MIR studies on TTAM in a similar way western music theory provides a basis for MIR studies on western music. It is shown that Arel theory is overall successful when applied for modality finding in TTAM and that it can be improved if small modifications are introduced following pitch values obtained from musical practice. © 2009, Copyright Taylor & Francis Group, LLC.Article Citation - WoS: 86Citation - Scopus: 101A Comparative Study of Glottal Source Estimation Techniques(Elsevier Ltd., 2012) Drugman, Thomas; Bozkurt, Barış; Dutoit, ThierryAbstract: Source-tract decomposition (or glottal flow estimation) is one of the basic problems of speech processing. For this, several techniques have been proposed in the literature. However, studies comparing different approaches are almost nonexistent. Besides, experiments have been systematically performed either on synthetic speech or on sustained vowels. In this study we compare three of the main representative state-of-the-art methods of glottal flow estimation: closed-phase inverse filtering, iterative and adaptive inverse filtering, and mixed-phase decomposition. These techniques are first submitted to an objective assessment test on synthetic speech signals. Their sensitivity to various factors affecting the estimation quality, as well as their robustness to noise are studied. In a second experiment, their ability to label voice quality (tensed, modal, soft) is studied on a large corpus of real connected speech. It is shown that changes of voice quality are reflected by significant modifications in glottal feature distributions. Techniques based on the mixed-phase decomposition and on a closed-phase inverse filtering process turn out to give the best results on both clean synthetic and real speech signals. On the other hand, iterative and adaptive inverse filtering is recommended in noisy environments for its high robustness. © 2011 Elsevier Ltd. All rights reserved.Article Citation - WoS: 13Citation - Scopus: 20Weighing Diverse Theoretical Models on Turkish Maqam Music Against Pitch Measurements: a Comparison of Peaks Automatically Derived From Frequency Histograms With Proposed Scale Tones(Taylor and Francis Ltd., 2009) Bozkurt, Barış; Yarman, Ozan; Karaosmanoğlu, M. Kemal; Akkoç, CanSince the early 20th century, various theories have been advanced in order to mathematically explain and notate modes of Traditional Turkish music known as maqams. In this article, maqam scales according to various theoretical models based on different tunings are compared with pitch measurements obtained from select recordings of master Turkish performers in order to study their level of match with analysed data. Chosen recordings are subjected to a fully computerized sequence of signal processing algorithms for the automatic determination of the set of relative pitches for each maqam scale: f0 estimation, histogram computation, tonic detection + histogram alignment, and peak picking. For nine well-recognized maqams, automatically derived relative pitches are compared with scale tones defined by theoretical models using quantitative distance measures. We analyse and interpret histogram peaks based on these measures to find the theoretical models most conforming with all the recordings, and hence, with the quotidian performance trends influenced by them.Article Citation - WoS: 36Citation - Scopus: 64Pitch-Frequency Histogram-Based Music Information Retrieval for Turkish Music(Elsevier Ltd., 2010) Gedik, Ali Cenk; Bozkurt, BarışThis study reviews the use of pitch histograms in music information retrieval studies for western and non-western music. The problems in applying the pitch-class histogram-based methods developed for western music to non-western music and specifically to Turkish music are discussed in detail. The main problems are the assumptions used to reduce the dimension of the pitch histogram space, such as, mapping to a low and fixed dimensional pitch-class space, the hard-coded use of western music theory, the use of the standard diapason (A4=440 Hz), analysis based on tonality and tempered tuning. We argue that it is more appropriate to use higher dimensional pitch-frequency histograms without such assumptions for Turkish music. We show in two applications, automatic tonic detection and makam recognition, that high dimensional pitch-frequency histogram representations can be successfully used in Music Information Retrieval (MIR) applications without such pre-assumptions, using the data-driven models. © 2009 Elsevier B.V. All rights reserved.Article Citation - WoS: 25Citation - Scopus: 39An Automatic Pitch Analysis Method for Turkish Maqam Music(Taylor and Francis Ltd., 2008) Bozkurt, BarışAutomatic pitch analysis of large audio databases is essential for studies on music information retrieval and developing a pitch scale theory for Turkish maqam music. However no such study is available. In this article, we first determine the main obstacle as the alignment of frequency analysis results from multiple files. We then propose a new method to automatically detect the tonic of a recording, align the data, and estimate overall frequency histograms from large databases. We show that such histograms can be successfully used for pitch scale (tuning) studies on the recordings of Tanburi Cemil Bey, an undisputed master of the genre